Posts Tagged ‘Pickup’

Personal Scriptures (Prayer Cloths), Cotton, Tencel, Bamboo, and Linen, 2009

Handwoven cloth: Pickup with Twill
An exploration of religious meditation and personal symbolic referencing through folk-based storytelling. Considers the magical quality of objects in the act of creation and the power of faith in placing importance on objects.


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I never got around to posting a nice photograph of my unwrinkled weaving final, so here it is. Initially, I was not pleased with how this piece came out, but more and more, as I’ve looked at it without the projection, and run it through my hands, I have come to accept it and call it beautiful. There isn’t a thing I would change about it–if only I could find a way to have everyone on the internet touch it. If I’ve learned one thing through the process of creating this cloth, it’s just how important and powerful the sense of touch is to this craft.

Memory Cloth, 2009, Tencel and Bamboo, 14" x 29"

Memory Cloth, 2009, Tencel and Bamboo, 14" x 29"

I submitted this piece, along with two others, to the Fiberarts Magazine call for student entries. Below is the statement that accompanied my submission, and I think it does a good job of summing up the nature of my work and why I create in this way:

My work is an opportunity to tell stories through experimentation in variations of color and pattern to create imagery and impressions of memory.  I see weaving as a way to evoke the essence of my stories in tactile narratives with a focus on cultural and personal folklore. For me, I see importance in the cultural and historical relevance of handmade cloth, with each piece acting as a public heirloom upon which personal memories may be projected.

To see more of the work in my portfolio, please visit my flickr account.

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This video is my latest stop motion- a companion piece to the physical object of my Puppets and Prosthetics final project. The assignment was “The Secret Lives of Puppets,” and my goal was to have the cloth move while still on the loom as a sort of past life to the eventual fate of the cloth- a single, solid piece of fabric. In a way, the centipede has two lives, one on the cloth as movement and growth of production, and one off the loom, an object.

The Centipede Puppet with Eyes

The Centipede Puppet with Eyes

The centipede was woven using pick-up via doublecloth. Once he was woven, I untied sections of the warp off the back beam and cut the side fringe loose so that I was able to manipulate slight movement. Moving everything by myself and taking pictures made my options for movement limited (you can see my hand pulling the side fringe in the video), but I’m satisfied with the resut as an experiment in the limitations of cloth- the materiality, function, and performative options for cloth.

The Final Object

The Final Object

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a really terrible picture of the projection room and set up

Last night was the final weaving crit for the semester, and I have to say I was pleasantly surprised. I guess I had been looking at the cloth for so long with frustration, that I just assumed everyone else would be as frustrated as I was, and that was not the case. It just reminded me of the importance of stepping back from your work, taking a break, and then coming back to it with new eyes. You can be surprised by what you see. Crit, for me, is becoming increasingly important as I’m working with these new ideas as it helps me to refocus and realize things about the piece that I was struggling to grasp, ideas which are discussed below.


Quiet Brain Storms, Woven Cloth and Projection, 2009

Here is an image of the double cloth pickup piece by itself (a little wrinkly, ignore), and the cloth with the projection over top. The projection consists of eight images that cycle through in a continuous loop with variation of color, light, and impact of texture as overlay:

a sampling of the images used in the projection

a sampling of the images used in the projection

The purpose of this cloth stands as memory. Cloth, as an heirloom, is something that is passed down through families, and gathers memories through generations. Even a single cloth, posessed by a single person, collects a range of memories and has the ability to have memories, for lack of a better word, projected into its history. Through the projection, I am exploring the power of memory and dreams, the disctinction and blurring between the two, and how a single event can be remembered many different ways, even in one still moment.

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doublecloth projection still

I haven’t been talking a lot about weaving lately, mostly because I’ve been sorta stuck. My latest weaving assignment is a doublecloth pick-up project which describes a specific date and place through the use of imagery and choice of color. Essentially, this project is perfect for me. It’s narrative by nature and has few limitations, which is precisely why I’m using this opportunity to experiment with video projection.

Lately I’ve been dissatisfied with just cloth, so I’ve been trying to figure out ways to make cloth a multimedia/ mixed media experience. While I hesitate to jump directly to technology to solve this issue, I think it’s a good place to start in these early stages of my search for the perfect, specific medium for my oddly specific way of thinking. (more…)

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These images are from a small sample I did for my weaving class in preparation for our final. Because I completed a full double cloth sampler last semester, this semester I was asked to focus on dimensional weaving, or the stuffing of woven pockets during the creation of the cloth.

Double Cloth is a process in which two planes of cloth are woven simultaneously. Don’t ask me how, it’s magic. With this process, through the use of different treadle tie-ups, one can weave tubes, pockets, and seams in the middle of the cloth or on either side (in this way, one can weave a piece of cloth that is twice as wide as the loom by weaving a seam on the right or left which can then be opened up once taken off the loom). One can also do pick-up, which is the selective weaving of chosen threads to create a pictoral work. This sample was woven using pickup, and each green space is a pocket, some of which are stuffed.

I fondly call this sample Rather Strange Little Shrubberies.



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Suddenly being a college student and an artist seems like a whole lot of work.  Between 18 credits squeezed over the span of three days plus my workstudy assignment I have a lot on my plate. And I’m starting real life too! Yesterday was my first day interning for the wonderful and talented weaver Carly Goss of Baltimore and I couldn’t be more excited. There is so much potential for learning and professional development this semester that I’m practically bursting with the joys of adulthood.

Currently, my big project (besides those ever looming scholarship deadlines) is a new weaving show at MICA organized by Christina Day with the help of myself and several other fantastic and bright MICA students. The image above is a sneak peak at the image that will go on our invitation/postcard sporting the name of our show in classy pick-up fashion. I can’t take credit for the weaving, just the picture (and actually, the pick-up isn’t finished yet, so this isn’t the finished image), but I’m honored and excited to be a part of what I think will be an extremely interesting show that I hope will spark a lot of dialogue for students and staff here.

The weaving of the show title is the first part of what will be an on-going in-gallery performance of weaving, so for the length of the show each person whose work is represented will take a turn adding to the pickup, thus contributing to a live and relevant dialogue that evolves as people come to view the show. Exciting stuff. Even more exciting will be the moving of the loom from the weaving loft to the weaving space, especially since so many threads have already broken!

More to come.


Happy weaving!

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